By Rory McTurk
This significant survey of outdated Norse-Icelandic literature and tradition includes 29 chapters written via prime students within the box, over a 3rd of whom are Icelanders. whilst, it conveys a feeling of the mainland Scandinavian origins of the Icelandic humans, and displays the continued touch among Iceland and different international locations and cultures.
The quantity highlights present debates between outdated Norse-Icelandic students focusing on various facets of the topic. assurance of conventional issues is complemented via fabric on formerly missed components of research, resembling the sagas of Icelandic bishops and the translated knightsвЂ™ sagas. Chapters on вЂarchaeologyвЂ™, вЂsocial institutionsвЂ™ and вЂgeography and travelвЂ™ give the chance to view the literature in its wider cultural context whereas chapters on вЂreceptionвЂ™ and вЂcontinuityвЂ™ reveal the ways that medieval Norse-Icelandic literature and tradition overflow into the trendy interval.
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Extra info for A Companion to Old Norse-Icelandic Literature and Culture (Blackwell Companions to Literature and Culture)
It consists of a core of ‘universal’ saints such as the apostles and the Virgin Mary, as well as other saints popular in the countries around the North Sea. To this list the feasts of new saints were gradually added: the Icelanders Þorla´kr and Jo´n, and Magnu´s of Orkney. Vernacular reading material for these feasts, and for the feasts of saints to whom churches were dedicated, would have been needed. 5 Sagas about saints who are not prominent in the liturgy or as church patrons also exist. The most striking example is Pla´cidus saga, the earliest manuscripts of which date from the second half of the twelfth century.
In none of these sagas (any more than in other Icelandic literature) is much said about the childhood of the protagonists, although brief anecdotes about their youth may highlight some aspect of an individual’s character or prefigure his or her future life. The sagas treated in this chapter vary considerably in length, from five pages in a modern edition to lengthy narratives that fill many vellum folios. Not taken into account are brief anecdotes and exempla found in collections featuring short narratives about various saints.
Verses are interspersed throughout the saga, as well as following it. 16 Translations from Low German The final stage of Icelandic hagiographic production took place on the eve of the Reformation, when translations were made not from Latin, but from Low German.
A Companion to Old Norse-Icelandic Literature and Culture (Blackwell Companions to Literature and Culture) by Rory McTurk