By John J. Winkler
Utilizing fresh advances in literary idea, Winkler tackles the elusive that means of Apuleius's `The Golden Ass', in particular the connection among e-book and reader.
Read Online or Download Auctor and Actor: A Narratological Reading of Apuleius' the Golden Ass PDF
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Additional resources for Auctor and Actor: A Narratological Reading of Apuleius' the Golden Ass
168 In Calvin’s unsympathetic summary: “The Jewes, according to their manner, have imagined a vaine fable: as, that Lamech was a hunter, and blinde, and for the same cause had a boy to guide his hande. Nowe Caine lurking in the wood, was slaine by him with an arrowe: because the boy deeming him to be a wilde beast, directed his hande to shoote at him. 171 It appears in a number of visual representations as well, among them a roof boss in Norwich Cathedral and the illuminations of the Holkham Bible Picture Book and B.
We learn nothing new when we know the words already, and when we don’t know them we cannot say we have learned anything unless we also learn their meaning. And their meaning we learn not from hearing their sound when they are uttered, but from getting to know the things they signify. It is sound reasoning and truly said that when words are spoken we either know or do not know what they mean. If we know, we do not learn, but are rather reminded of what we know. 142 But if this argument suggests the risks of a language detached from a solid mooring in reality, the infected will can make matters worse, by consciously distorting the relation between word and thing – that is to say, by lying.
In Dante’s revised view the language God gave to Adam must suffer, with everything else, the results of Adam’s Fall. Paradiso 26 essentially pushes several widespread assumptions about primitive language to their logical conclusion, assigning the great dividing point in linguistic history to a time well before the confusion of tongues, and presumably before the Flood. Because of Augustine’s authoritative commentaries, the abrupt and universal collapse of likeness into unlikeness had come to be the central defining quality of the Fall.
Auctor and Actor: A Narratological Reading of Apuleius' the Golden Ass by John J. Winkler